approach to their discipline and excellent technical skills. Raff Pringuet, who also got his Bachelor’s Degree in Circus Arts a few months ago, was one of the other nominees. The final winner was chosen by
cross-overs into pop, world music, classical music, musical theatre, dance, circus and education. It’s particularly interesting for students who want to experience and combine various forms of art. The North
up-and-coming musicians. We often work together in projects, in which we show respect for each other’s quality. Therefore, we teach like we would be playing together. For years already a well-known entity [...] visit an instrument builder and demonstrate what you’re capable of in mock-up auditions. We think it’s important for you to develop yourself as a person during your studies. This is why we work on your basis
adds Wilma Franchimon, President of the Executive Board of Codarts. “In addition to the bachelor’s and master’s degrees, the new art institute will offer opportunities for joint educational programmes and
Wilma Franchimon. “It is self-evident that we will co-sign the Amnesty International manifesto ‘Let’s Talk About YES’.” This took place on Monday 14 March. Codarts is the first university for the arts to
requirements voice Admission requirements Voice Music recordings for online portfolio One of the video’s you are uploading for your Online Portfolio has to be a video where you are singing live without am
knowledge on arts therapies or gather information for a circus history assignment, your thesis or master’s research? Then come to Codarts' Library where you can search our extensive collection and borrow materials
Metcalf. Jamie also performs on period instruments and this year toured with ‘Arcangelo’, ‘Solomon’s Knot’ and the French-based orchestra ‘Cercle de l’Harmonie’. Jamie plays a violin made by Stefan-Peter
Metcalf. Jamie also performs on period instruments and this year toured with ‘Arcangelo’, ‘Solomon’s Knot’ and the French-based orchestra ‘Cercle de l’Harmonie’. Jamie plays a violin made by Stefan-Peter
want to be? Do we give the new generation the opportunity to relate to the challenges they face? It’s our responsibility to prevent the further erosion of the creative and intellectual wealth of these sectors [...] IFFR, and he has coached directors and supervisors. “I have always been close to the board, but it’s a completely different experience to now be the one in charge. “I actually have to make it happen now [...] get to know me and as an Executive Board team we need to make decisions about how we will proceed. It’s a challenge to make these connections and follow through in a short period of time.” While he is busy
