Toelatingseisen CaSA Voice
Candidates must prepare three pieces, featuring Brazilian, Cuban, or other Caribbean music genres. During the audition, the committee will select two pieces for performance. All performances will be accompanied by a backing track only.
Repertoire list to choose from - download Backing Tracks here:
- Obsesion Backing Track in Am
- Obsesion Backing Track in Gm
- Lagrimas Negras in Cm
- Lagrimas Negras in Dm
- Lagrimas_Negras_Rolando Laserie Version_Cm
- Lagrimas_Negras_Rolando Laserie Version_Dm
- La Negra Tomasa backing track in F#m
- La Negra Tomasa backing track in Em
- Cómo Fue_Bolero_C
- Cómo Fue_Bolero_D
Male Candidates:
Como Fue – Beny Moré (Ernesto D. Brito)
Bilongo (La Negra Tomasa) – Eddie Palmieri (Fiffe Rodríguez)
Preciso me Encontrar – Cartola
Corcovado – João Gilberto
Female Candidates:
Lágrimas Negras – Omara Portuondo or Celia Cruz (Miguel Matamoros)
Obsesión – Omara Portuondo (Pedro Flores)
Dança da Solidão – Marisa Monte
Chega de Saudade – Vinícius de Moraes, Tom Jobim
Improvisation
Improvise over a given chord scheme, responding melodically and rhythmically.
Perform pregónes (call-and-response improvisations) at a basic, either as part of a backing track performance or a play-along. (This applies to Cuban and salsa repertoire.)
Aural Skills
- Melodic Repetition – Repeat a melody that is played to you.
- Interval Recognition – Identify and name intervals accurately.
- Chord Recognition – Identify and name triads and 7th chords by ear.
- Rhythm – Repeat a rhythm that is clapped or sung to you.
What we grade:
Musical Accuracy & Expression – Candidates must demonstrate accuracy in pitch, rhythm, and articulation while conveying artistic expression and stylistic awareness.
Timing, Groove & Pulse – A solid sense of timing, groove, and rhythmic precision is essential. Candidates must be able to feel and maintain the direction of the groove, including the ability to play ‘in clave’ where applicable.
Technical Control & Instrumental/Vocal Proficiency – Assessment of fluency, control, tone quality, and dynamic range appropriate to the instrument or voice.
Aural Awareness & Musical Sensitivity – Ability to listen, respond, and interact musically, whether in solo or ensemble contexts, with an understanding of phrasing, articulation, and balance. Accurately interpret and perform a short, notated or aural excerpt with rhythmic and pitch accuracy.
Stylistic Interpretation & Improvisation – Candidates should demonstrate an understanding of the stylistic nuances of their chosen repertoire and, where relevant, showcase improvisational skills rooted in the tradition.
Communication & Artistic Presence – Beyond technical ability, we assess the candidate’s ability to engage with the music and convey emotion.
CaSA Music Theory
Part of your audition also consists of CaSA Music Theory
Interview
During the interview we will look at the following aspects:
General motivation and level of English.
Commitment to Studies & Professional Growth
Ability to Articulate Goals & Perspectives
Awareness of the Codarts Learning environment